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Abstract

The paper discusses the influence of nature on the design principles utilized by ancient Egyptian civilization, emphasizing how philosophers and artists learned from natural forms. It introduces the concept of Morphology, which examines the structures and forms of living and inanimate objects, categorized into eight types: Geometric, Chaotic, Plant, Animal, Human, Motor, Ecological, and Symbolic. The research focuses on applying the Geometric Morphological system to Edfu Temple, highlighting the need for contemporary designers to consider both form and content, rather than merely aesthetic shapes. The study aims to create an analytical framework using geometric determinants—unity, balance, scale, rhythm, proportion, abstraction, and symbolism—to understand ancient Egyptian design concepts better. By employing historical and analytical methodologies, the research reveals how ancient Egyptians integrated structural and aesthetic elements in their architecture and art, confirming that morphological design was foundational to their creative processes. Ultimately, it underscores the relevance of natural inspiration in ancient Egyptian design which could be a valuable tool for contemporary Interior Designers.

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